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National Heritage Students Meeting'25
From Students. For Students.
Let's rethink Heritage in the 21st Century
October 1st, 2nd and 3rd
Faculty of Arts and Humanities of the University of Porto, Porto
About ENEP
What is ENEP?
The National Meeting of Heritage Students was created by the initiative of the Bachelor's and Master's degree students in Heritage at the University of Évora (to acess the 1st edition of ENEP click HERE). After an inaugural edition in the city of Évora (2023), in 2025 ENEP travels to the city of Porto by the hands of students from the Department of Heritage Sciences and Techniques at FLUP!
Mission
The main objective of the National Meeting of Heritage Students (ENEP) is to promote a privileged space for the exchange of ideas, knowledge and experiences between students, professionals and heritage researchers. We wish to promote the appreciation, preservation and communication of the national heritage in its various aspects – Material, Intangible, Cultural and Natural. We seek to promote constructive dialogue and critical reflection on the challenges and opportunities in the area of heritage, thus contributing to the training of professionals who are more aware and committed to the cultural and natural heritage of our country.
Values
Commitment with Heritage.
We value the importance of preserving and communicating heritage in all its forms. We recognize the potential of heritage in promoting co-creation and inclusion projects and encourage greater awareness and social responsibility in its preservation.
Education and Knowledge.
We believe that education is the key element for raising awareness and mobilizing in favor of heritage. In conjunction with debates, round tables and communications, we promote the dissemination of knowledge through academic and cultural activities closer to local communities.
Inclusion and Diversity.
We advocate for the inclusion of multiple voices and perspectives in the dialogue about and with heritage, respecting and valuing cultural, social and academic diversity.
Colaboration and Partnership.
We encourage collaboration between students, universities, industry professionals and the community in general, understanding that the appreciation of heritage is a collective responsibility that benefits from mutual efforts.
Inovation and Sustentability.
We encourage innovative approaches to heritage management, seeking solutions that, while safeguarding and preserving natural and cultural resources, promote economic and social sustainability strategies for their transmission to future generations.
Registration II ENEP
Heritage is a living inheritance, and therefore depends on its continuous recognition and appreciation, which will dictate its permanence, resignification or loss. Over time, the very concept of heritage undergoes changes, moving from the monument as an element that carries memory and is a legacy between generations, contributing to preserving identities and cultural heritage, to the inclusion of various heritage categories that bear witness to cultural diversity and human action in a given context.
Thus, we are faced with the emergence of new heritage and the resignification/reuse of old ones, leading us to question what heritage is and what it could be (the Noah complex pointed out by Françoise Choay) and how we should approach it. It should be noted that, sometimes, heritage conservation involves assigning new uses, and to this end, assets must be adapted to new realities and habits, also taking into account the urgency of sustainability and the response to problems such as gentrification, touristification, totemism (heritage fetishism) and façadeism. On the other hand, we are alerted to cultural democratization, establishing new bridges between heritage and communities, new ways of communicating and new heritage discourses. Furthermore, digital heritage is highlighted as an emerging category, calling for debate on the means for its safeguarding and the place of artificial intelligence in heritage, also leading to the questioning of heritage virtualization.
Therefore, we will rethink heritage in the 21st century by sharing diverse perspectives. To this end, proposals will be presented within three thematic areas:
New uses for cultural heritage
Democratization of heritage
Digital heritage
Standards for presentation of work
1. Oral communication
Category intended for the oral presentation of research, concluded or in course, related to the topics proposed for the National Heritage Students Meeting. Oral communication must be accompanied by Powerpoint.
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The communicators must appear at the table/room with a minimum advance of 15 minutes;
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The presentation time will be 15 minutes;
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The presentations will be sequential and oriented by the table;
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The discussion time will be 5 minutes after each presentation or as indicated by the table/room coordinator;
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The form of presentation will depend on the criteria of the participant.
2. Poster Exhibition
This category is intended for the presentation of research, concluded or in progress, related to the topics proposed for the National Heritage Students Meeting. It must contain a synthetic text that summarizes the research purpose, methodology used, results obtained at the time and bibliographic references.
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Painel size: A0, paper;
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Font: For the title – Arial, high box in bold, size 50. For author(s), original institution, institution and e-mail - font Arial, size 45, high and low box without bold. For the text items - Font Arial, high box in bold, size 50. For the body of the text - Font Arial, size 36;
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Figures and graphs: They should be large in proportion to an A4 sheet;
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Logo: The poster will require the logos of ENEP and institutional supports.
Content:
Introduction: It should include the problem, the objectives and motivations;
Material and method: Briefly describe the procedures to be used or utilized in the investigation;
Results: Present and discuss the results achieved, or hypotheses;
Considerations: Assess the achievement of two proposed objectives, or the relevance of the study in the academic context;
Bibliographic References.
3. Experiences Report
Category intended for the exhibition of professional experiences, research, cultural projects, etc., about Cultural Heritage, related to the themes proposed for the National Heritage Student Meeting. More informally, this category presents and shares future perspectives for incoming students and promotes networking between professionals and various sectors involved in the promotion of Cultural Heritage.
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Candidates registered in this modality, called rapporteurs, must appear at their table/room with a minimum of 15 minutes' advance;
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The presentation time will be 15 minutes;
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The presentations will be sequential and oriented by the table;
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The discussion time will be 5 minutes after each presentation or as indicated by the coordinator of the table/room;
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The form of presentation and the resources used will be determined by the criteria of the participant.
Program
1 OCT. 2025
09h30 Opening Session (Noble Amphitheater)
Paula Pinto Costa (Director of FLUP)
Inês Amorim (Scientific Coordinator of CITCEM)
Ana Cristina Sousa (Director of DCTP)
Maria Leonor Botelho (Scientific Coordinator of the II ENEP)
Keitty Oliveira Silva (I ENEP Organizing Committee)
10h00 Conference (Noble Amphitheater)
“Heritage: The Long Challenges of an Uncertain Future”
Maria de Lurdes Craveiro (FLUC)
11h00 Break
11h30 Panel 1: Museums & Democratization of Heritage I (Noble Amphitheater)
Moderation: Alexandre Matos (CITCEM/FLUP)
11h30 Museum as a Place of Heritage, Matrimony, and Fraternity
Barbara Higa (UM)
11h40 Musical Iconography in the Portalegre Tapestry – Making of an Exhibition
Cláudia Sousa (CESEM/NOVA-FCSH/FCT)
11h50 Éfe-Érre-Á: «The Essence of the Great Academic Museum of the University of Coimbra»
Rita Silva Sousa (FLUC)
12h00 Democratizing a Museum Space: Renovation of the Main Entrance of the National Palace of Pena
Marina Alexandra Vann Fernandes (FBAUL/CIEBA); Marta Alexandra da Costa Frade (FBAUL/CIEBA); Luís Filipe da Silva Soares (Parques de Sintra – Moutn of the Moon ,S.A./IHA/NOVA FSCH/IN2PAST)
12h10 Discussion
12h30 Free Lunch
14h30 Panel 2: Heritage Digitization I (Amphitheater 2)
Moderation: Diana Felícia (CITCEM/FLUP)
14h30 From Manual to Digital: The Transformation of Methodologies in Collections Management
Paula do Nascimento (UNIARQ/FCT/MNA)
14h40 The Numismatic Set of the Monastery of São João de Tarouca: Study and Online Availability
Inês Guedes (FLUP)
14h50 [Re]Thinking, [Re]Finding, [Re]Configuring the Role of the “Archive” as Cultural Heritage: Challenges for the 21st Century?
Ivanoela do Nascimento Póvoas (NOVA FSCH)
15h00 Looking Beyond the Obvious… Research Democratizes Access and Clarifies “Lost Heritages” in the Collections of Lamas Museum
José Carlos Amorim (FLUP/ Museum of Santa Maria de Lamas)
15h10 Discussion
15h30 Break
15h40 Panel 3: Heritage Digitization II (Amphitheater 2)
Moderation: Hugo Barreira (CITCEM/FLUP)
15h40 Primitives of Image Seen Under Another Light – Recovering Image Information in Daguerreotypes Based on Infrared Photography Used in Primitive Painting
Paulo Dornford de Sande (IPT)
15h50 The Video Game Assassin’s Creed as a Means of Heritage Mediation
Ana Madureira (FLUP)
16h00 Black Clay: From Earth to Fire
Jorge Filipe Alves (ESE P.PORTO); Patrícia Lobo (ESE P.PORTO); Rui Roque (ESE P.PORTO)
16h10 Discussion
16h30 Break
17h00 Professor Lúcia Rosas Last Lesson (Noble Amphitheater)
"Analysis of the romanesque architecture in Portugal"
Attribution of the FLUP Gold Medal
18h30 Alvarinho de Honra with Dona Paterna
2 OCT. 2025
Parallel Sessions
09h00 Panel 4: Museums & Democratization of Heritage II (Noble Amphitheater)
Moderation: Paula Menino Homem (CITCEM/FLUP)
09h00 Inspiring Museum Practices: Dealing with Difficult Heritage. The Case of Lesbos, Greece
Matilde Gomes (CITCEM/FLUP)
09h10 The Challenge of Accessibility in Cultural Heritage: Main Issues Regarding Access to Porto Cathedral
Raquel Marques (CITCEM/FLUP/MNSR)
09h20 Accessibility in Heritage: Breaking Barriers, Building Inclusion in Portugal
Daniela Fatela Geraldes (FBAUP/I2ADS)
09h30 Voices in Circulation: The Initiative for a Unified System of Circular Culture in Maricá
Isis de Souza Macedo (UAlg/UFG/ Department of Culture and Utopias of Maricá); Lorena Guimarães Leal dos Santos (Department of Culture and Utopias of Maricá)
09h40 Memories Under (Re)Construction: New Interpretations for Democratizing Access to the Heritage of the Geophysical and Astronomical Observatory of the University of Coimbra
Luciana Fontana (FLUC); Fábio Monteiro (CITEUC/CQC/FLUC); Mariana Brum (CQC/FLUC)
09h50 Reflection on the Framework of Cultural Heritage Restitution Policies: Case Study of the Mesoamerican Treasures of the MHNC-UP
Henrique Azevedo Pereira Silva (FLUP)
10h00 Discussion
09h00 Panel 5: Safeguarding & Conservation of Heritage (DCTP Classroom)
Moderation: Marisa Pereira Santos (CITCEM/FLUP)
09h00 Sustainable Study and Packaging of Headgear at the National Coach Museum
Carolina Delicado (FBAUL); Rita Dargent (MNC); Ana Bailão (CIEBA/FBAUL)
09h10 Moscadim House – An Open Laboratory for Conservation, Restoration, and Community Engagement
Leonor Malaquias (IPT)
09h20 A Transdisciplinary Approach to the Restoration of Three Ceramic Pieces from the Bordalo Pinheiro Museum: The Intersection Between Traditional Techniques and New Technologies
Marta Neves (NOVA FCT); Bruno Soares (NOVA FCT); David Marques; Jéssica Pinto (FBAUL/VICARTE-NOVA FCT); Fernanda Carvalho (VICARTE-NOVA FCT); Susana Coentro VICARTE-NOVA FCT); Inês Feliciano (VICARTE-NOVA FCT)
09h30 Natural Disasters and Azorean Heritage in the 19th Century
Diana Henriques (CIDEHUS/UÉ)
09h40 The Role of Cultural and Recreational Associations in Safeguarding Intangible Cultural Heritage.The Case of the Teivas Cultural, Recreational, and Social Association (Viseu, Portugal)
Adriana Gomes Cardoso (FLUP)
09h50 Inventories as Tools for Heritage Safeguarding and Dissemination: The Architecture of the Monastery of Santa Helena do Monte Calvário as an Interpretive and Dynamic Center for Évora's Religious Heritage
Guilherme Carlos Roque Branco
10h00 Discussion
10h30 Break
PARALLEL SESSIONS
11h00 Panel 6: Community, Memory & Local Heritage (Noble Amphitheater)
Moderation: Ana Cristina Sousa (CITCEM/FLUP)
11h00 Heritage within Reach Community Through the Use of New Technologies: the Vila Verde House of Knowledge
Diana Mendes (Lab2PT/UM); Alexandra Esteves (Lab2PT/UM); José Gabriel Andrade (CECS/UM)
11h10 Places of Memory and Power in Londrina (Paraná): Rethinking Londrina's Heritage Beyond Official History
Amanda Soares Steffen (FLUC)
11h20 Are Rural Museums Contributing to the Preservation and Renewal of Rural Culture in Portugal?
Paula Leal de Matos (UB); Ioanna Katapidi (UB)
11h30 The Leafless: A Comparative Study Between the Azores and Minho
David Oliveira (ESE); Inês Alves (ESE); Joana Magalhães (ESE)
11h40 Gastronomic Brotherhoods as Actors in Safeguarding Traditional Knowledge: The Case Study of the Paranhos Sweets Brotherhood, Porto
Beatriz Tavares (FLUP)
11h50 Portuguese Windmills in Contemporary Times: Solutions and Interventions in Vernacular Heritage
Mariana Cardoso da Silva (FLUP)
12h00 Discussion
11h00 Panel 7: Valuing Built Heritage (DCTP Classroom)
Moderation: Manuel Joaquim Moreira da Rocha (CITCEM/FLUP)
11h00 Fomento Eborense - From Success to Oblivion. Case Study on the Confectionery Industry in Évora in the 20th Century
Ana Vieira Chambel (UÉ)
11h10 Narrated Memories: the Hospital of S. Marcos of Braga (1974-2011)
Barbara Higa (UM)
11h20 Interpretive Center of Rio de Janeiro Landscapes: Heritage Interpretation and the Appreciation and DEmocratization of Culture
Arthur Carneiro Ferreira Freitas (UÉ)
11h30 The Importance of Fort Lovelhe in the Appreciation of the Defensive Heritage of Vila Nova de Cerveira
Patrícia Correia (UM); Rebeca Blanco-Rotea (Lab2PT/UM); Alexandra Esteves (Lab2PT/in2Past/UM)
11h40 The Peniche Fortress: a Heritage of Resistance and Identity
Carolina Silva André (FBAUL); Margarida Valadão Lopes (FLUL)
11h50 Discussion
12h30 Free Lunch
14h30 Panel 8: New Heritage (Noble Amphitheater)
Moderation: Rui Maia (CITCEM/FLUP)
14h30 Cosa Mentale: The Conceptualization of Art and the Reconceptualization of Heritage
Ana Guedes (FLUP)
14h40 Clean Walls, Silent People - Political Urban Art and Its Value
Ana Machado (FLUP)
14h50 A Complicit Look: Parque Mayer and Revista à Portuguesa through the Eyes of Velo Gomes during the Second Half of the 20th Century
Raquel Mira (FLUL)
15h00 Pipe Organs in the Soundscape of Porto. Current Reality
Anastasia Sazontieva (FLUP)
15h10 Discussion
15h30 Break
16h00 Roundtable “The Future of Heritage Today” (Noble Amphitheater)
Moderation: Maria Leonor Botelho (CITCEM/FLUP)
Catarina Valença Gonçalves (Spira)
Rosário Correia Machado (Romanesque Route)
Lino Tavares Dias (CITCEM/CEAU)
Luís Sebastian (PCIP)
18h00 Performance of Fado Group Literatus
3 OCT. 2025
09h00 Experience Report (Noble Amphitheater)
Moderation: Daniela Ferreira (CITCEM/FLUP)
09h00 Inventorying to Value: A Contribution to the Study and Safeguarding of a Private Collection
Ana Sofia Rodrigues (ESE)
09h10 From Craft to Research: Safeguarding and Valuing the Art of Stucco in Viana do Castelo
Filipe Freitas (CITCEM/FLUP)
09h20 Perspectives on Research and Internship: What Kind of Professional Career Are We Seeking?
Arthur Carneiro Ferreira Freitas (UÉ)
09h30 Research and Participation: The Journey of Two Students in the Cultivar Project
Keitty de Oliveira Silva (CIDEHUS/UÉ); Maria da Paz (UÉ)
09h40 “How to Protect My Region’s Heritage?”: The Importance of Heritage Education and Its Challenges in the School Communities of Trás-os-Montes and Alto Douro
Mariana Durana Pinto (CITAR/UCP); Thierry Aubry (Fundation Côa Park); Eduarda Vieira (CITAR/UCP)
09h50 Transmedia Storytelling Strategy in Museums: New Ways of Storytelling and the Experience Mediated by Digital Media Art
Jaqueline Dulce Moreira (UAlg/UAb)
10h00 3D Digitalization of Musical Instruments in a Changing Museum: Practice and Challenges
Ana Ester Tavares (CITCEM/FLUP)
10h10 Discussion
10h40 Official Closing of the II ENEP
PARALLEL SESSIONS- Workshops *
11h00 Resources for the heritage preservation (Noble Amphitheater)
12h00 Carlos Sousa Pereira (Detalhar)
11h00 Cultural Mediation- how to get closer to the comun citizen? (DCTP Classroom)
13h00 Catarina Valença Gonçalves (Spira)
11h00 Investigation in heritage and data plan gestion (Classroom 404)
12h30 Vera Moitinho de Almeida (CODA/FLUP) / Luís Trigo (CODA/FLUP)
13h00 Free Lunch
15h00 Guided Tours *
UNESCO Chair "Heritage, Cities, and Landscapes. Sustainable Management, Conservation, Planning, and Design"
Teresa Cunha Ferreira and Tiago Trindade Cruz (FAUP)
"Art in Three Times: Discussion, Reflection, and Escape"
Liliana Aguiar (Soares dos Reis National Museum)
"Guided Tour - Batalha Cinema Center"
Sofia Lemos Marques (Batalha Cinema Center)
* upon prior registration
Organizing Committee
Maria Leonor Botelho
Coordination
Graduated in History - specialization in Art History (FLUP, 2001), master in Art, Heritage and Restoration (FLUL, 2004) and PhD in Portuguese Art History (FLUP, 2011), she's Associate Professor and President of the Scientific Committee of the Degree in Art History at the Faculty of Arts and Humanities of the University of Porto. Is an integrated researcher at CITCEM/FLUP, where coordinates the working group "Tangible and Intangible Heritage". Maria Leonor Botelho is a member of the scientific committee of the Digital Museum of the University of Porto as an expert in heritage management. She's member of the European Association of Urban History (EAUH) and is part of the UNESCO Chair entitled "Heritage, Cities and Landscapes. Sustainable Management, Conservation, Planning and Design", promoted by the Faculty of Architecture of the University of Porto. She develops research in architecture and historiography of the Romanesque period and the interventions of the DGEMN in Romanesque architecture in Portugal. Her research has been developed in the areas of heritage management, digital heritage and world heritage. Maria Leonor Botelho was an executive member of the organizing committees of several scientific conferences related to urban heritage and since 2015 she has been one of the coordinators, curators and producers of several virtual exhibitions published in the FLUP section of the Google Arts and Culture platform. Together with Lúcia Maria Cardoso Rosas, Maria Leonor Botelho was awarded one of the ten projects of the "Projects of Pedagogical Innovation" award (2017), promoted by the University of Porto, with the project "Porto de Virtudes". Together with Professor Lúcia Rosas and Professor Mário Barroca, launched the Encyclopedia of the Romanesque in Portugal (2018-2021), within the scope of the collaboration protocol signed between FLUP and the Santa María la Real Foundation for Historical Heritage, a Project from Castile and Leon (FLUP/PS-CPS/2018-72404).
ORCID
0000-0002-2981-0694
Ana Carolina Cunha
PhD student in Heritage Studies (FLUP) and FCT scholarship holder (2024.01733.BDANA), she has a degree in History of Art (2021) and a Master's degree in History of Art, Heritage and Visual Culture (2023) from the same institution. Her career includes the publication of the article “Santuário e Peregrinação de Nossa Senhora da Piedade, Sanfins do Douro” (2022) and participation in several communications, including the International Conference of the Faro Framework Convention (2024). Professionally, she carried out research and mediation work on the cultural heritage of the interior of the country, for the Associação Círculo de Estudos do Centralismo. She also worked as a volunteer at arquiv@, a Cultural Heritage project, I.P. She has developed research in the area of cultural heritage, integrated heritage inventory and local heritage.
ORCID
0000-0003-1087-074X
Ana João Silva
PhD student in Heritage Studies (FLUP) with a master's degree in History of Art, Heritage and Visual Culture (2022) and a bachelor's degree in History of Art (2020) from FLUP. Postgraduate in Architectural Heritage from FAUP (2024), her research area is focused on the history of architecture, theory of architectural rehabilitation and digital heritage. Her career includes the publication of the article “Catedral de Pozzuoli: a torre sineira a mudar ao longo do tempo. Estudo de caso da nova torre sineira”, in addition to communications at the national and international conferences IJUP, I International Meeting Safeguard, Communication and Digital Mediation of Cultural Heritage and VIII History of Architecture Conference. Professionally, she has collaborated with architectural offices and studios as a historical-heritage consultant.
ORCID
0009-0007-6417-4500
Carolina Teixeira Sousa
Graduated in History of Art (2019) and master in History of Art, Heritage and Visual Culture (2021) from FLUP. She is currently a PhD student in Heritage Studies, specializing in History of Art, FCT scholarship holder (2022.13991.BDANA) and a collaborator in the Research Group “Material and Intangible Heritage” of CITCEM. She carries out research in the areas of heritage and architecture, with a special focus on the vernacular architecture of the villages of the Romanesque Route and/or northern Portugal. Her area of activity and research has grown in the field of heritage management, ethnographic heritage and digital heritage. Its main areas of interest are vernacular and ethnographic heritage, collective spaces and local cultures.
ORCID
0000-0001-9203-9292
Margarida Silva
Graduated in History of Art (2024), is currently master's student in History of Art, Heritage and Visual Culture from the Faculty of Arts and Humanities of the University of Porto. In 2023, she volunteered at Património Cultural I.P., having participated in the digitalization project of the Companhia Industrial de Fundição Archive, within the scope of Diana Felícia's doctoral project (supervised by Professor Ana Cristina Sousa). She was president of the History of Art Student Group (2023-2024) and is currently a member of the FLUP Student Association, where she holds the position of Coordinator of the Pedagogical, Social Action and Sustainability Department. She has participated in activities to promote the different Art History cycles at FLUP, namely in the UP Exhibition and in the organization of meetings such as the Art History Week and the Pre-Christmas Workshops.
ORCID
0009-0006-3370-7266
Maria Beleza Juncal
Maria Beleza Juncal has a degree in History of Art and a master's degree in History of Art, Heritage and Visual Culture, from the Faculty of Arts and Humanities of the University of Porto, with the dissertation: "Ramalde (Porto): a herança da proximidade na construção de um território educativo" (2023). She published the article “A multidisciplinaridade do método etnográfico: o caso do espaço raiz” (2024) and presented oral communications: at IJUP’22; in the CITCEM 2023/2024 workshops; and at the 1st Faro Convention International Conference 2024. Later, she volunteered for the arquiv@ project of the former Direção Regional de Cultura do Norte. She's currently in the first year of the PhD in Heritage Studies (FLUP) and is an external collaborator at the Culture Unit of the Rectory of U. Porto on the following projects: Cultural Corridor; CISOC; and Cultural Prescription.
ORCID
0000-0002-1880-7481
João Novais Tavares
PhD student in Heritage Studies (FLUP, 2024-present) and FCT scholarship holder (2024.01178.BDANA), he holds a master's in History of Art, Heritage and Visual Culture (2023) and a bachelor's in History of Art (2021) from FLUP. Collaborates in the Research Group “Material and Intangible Heritage” of CITCEM, having cooperated, between 2023 and 2025, with the Direção Regional de Cultura do Norte e Património Cultural, I.P. in the archiv@ project. He collaborated in the review of issue 15 of the editorial collection Património a Norte and in the creation of mediation content for the virtual visit to the Porto Cathedral (Arquitetura360). His research area has been oriented towards cultural heritage and architectural history, with particular attention to Foz do Douro (Porto) and the Mosteiro de Tibães (Braga).
ORCID
0000-0002-1152-7129
Scientific Committee
Prof. Dr. António Ponte (MNSR)
Prof. Dr. Alexandra Curvelo (NOVA-FCSH/IHA)
Prof. Dr. Alice Semedo (FLUP/ CITCEM)
Prof. Dr. Ana Cristina Sousa (FLUP/ CITCEM)
Prof. Dr. Ana Rita Albuquerque (FLUP/CITCEM)
Prof. Dr. Andreia Arezes (FLUP/ CITCEM)
Prof. Dr. Carla Sofia Queirós (ESE P.PORTO)
Prof. Dr. Hugo Barreira (FLUP/ CITCEM)
Prof. Dr. Inês Amorim (FLUP/ CITCEM)
Prof. Dr. João Pedro Bernardes (UAlg/CEAACP)
Prof. Dr. Joana Brites (FLUC/UCoimbra)
Prof. Dr. Laura Castro (UCP- Porto)
Prof. Dr. Luís Sebastian (PCIP)
Prof. Dr. Luis Urbano Afonso (FLUL/ULisboa)
Prof. Dr. Maria da Luz Sampaio (UÉvora/DHIST)
Prof. Dr. Maria João Neto (FLUL/ULisboa)
Prof. Dr. Maria Leonor Botelho (FLUP/ CITCEM)
Prof. Dr. Paula André (ISCTE/ISTA)
Prof. Dr. Paula Bessa (U.MINHO/ICS)
Prof. Dr. Paula Menino Homem (FLUP/ CITCEM)
Prof. Dr. Paulo Simões Rodrigues (UÉvora/DHIST)
Prof. Dr. Ricardo Triães (ESTT/IPTomar)
Prof. Dr. Rui Morais (FLUP/ CITCEM)
Prof. Dr. Teresa Cunha Ferreira (FAUP/CEAU)
Prof. Dr. Tiago Trindade Cruz (FLUP/CITCEM)
Prof. Dr. Vera Moitinho de Almeida (FLUP/CODA)
Prof. Dr. Walter Rossa (UCoimbra/FCTUC)
ENEP'25
How to get there?
Where to eat?
Where to stay?
To the Faculty of Arts and Humanities
From São Bento Railway Station
São Bento Metro Station > Trindade Metro Station > Casa da Música Metro Station (area z2) > Pathway (c. 20 min.).
From Campanhã Railway/Bus Station
Campanhã Metro Station > Casa da Música Metro Station (area z2) > Pathway (c. 20 min.).
In the vicinity of the Faculty of Arts and Humanities
FLUP Student Bar
Casa Agrícola
Leblon Confectionery
Bom Sucesso Market
Portuguese Bakery
Madureiras Restaurant
Santo Remédio Restaurant
Capa Negra Restaurant
Convívio Restaurant
Cidade do Porto Shopping Mall
In the vicinity of the Faculty of Arts and Humanities
Hotel Tuela
Youth Hostel
Vilar Seminary
Contacts
Faculty of Arts and Humanities of the University of Porto
Via Panorâmica, 4150-564, Porto, Portugal